Wednesday, 24 January 2018

Paypal? PayEnemy, more like. [Paypal #2]

Thanks Paypal!

 Thanks Paypal!

I call "bollocks" on that one

For background to this long-running saga, see here: Paypal Won't Pay, And They're Not An Author's Pal.

In a nutshell:

I hadn't done anything wrong or even suspicious - I had just received a royalty payment from one of the Big 5 publishers - but because Paypal automate things as much as possible, because it is cheaper than human intervention (so they can make bigger profits for their managers and shareholders), it means they applied limits on my account and from that point on I was screwed and left talking to the equivalent of a brick wall. My money was held hostage unless I sent Paypal personal data that could potentially be used for identity theft, and/or information that didn't even exist. They ignored my complaints for weeks at a time.

That post was written on 12th December 2017, after almost two months of Paypal restricting my account. What has happened in the six weeks since then? Nothing. Oh, correction: Paypal have applied even more restrictions to my account. I have no access to it. No-one can pay into it. No-one can take money out. Paypal just keeps earning interest on it. Is it a coincidence that they benefit from making it harder for customers, and the longer they can lock you out of your account, the more this pseudo-bank makes out of your money?

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Saturday, 20 January 2018

Recent Promo Images

A selection of promotional images I've used since the last post on this topic.

If you go down in the woods today... Turner

Ghost in the machine - They Move Below

Festive spirit ... Lost Solace

A world seen through nostalgic misty eyes - Cold Fusion 2000

Get some Manchester attitude! 2000 Tunes

Also a trailer for They Move Below:


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Friday, 19 January 2018

Thursday, 18 January 2018

Saturday, 13 January 2018

Prologues In Fiction


Jessica Norrie wrote an interesting piece about prologues in fiction yesterday. It got me thinking.

I use them sometimes. Turner has quite an extended one, which isn't immediately connected to the main novel apart from location and mood ("Oh shit, something bad is going to happen!") but becomes highly relevant later. Turner's intro is labelled as a prologue; but in a way, anything before an inciting incident is a kind of prologue, whether labelled as one or not.

Prologues get a bad rep because they are sometimes unnecessary, and don't stand alone as satisfying. That's why my favourite prologues have "Yes" as answers to the question: "Would I get something from reading it, even if it was disconnected from the rest of the book?" If it is exciting to read, or a good standalone story, or fantastic prose - then it should be fine. If it is just an infodump, then delete it.

But as with all of writing: if the end effect works, then it over-rides Every Other Rule. The best writing is an art, not a craft. Craft follows and perfects rules, but art can break them.

What do you think? Any prologues that did or didn't work for you?

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Monday, 8 January 2018

Q&A With Karl Drinkwater

Recently I was interviewed on So many books, so little time. Here's a backup of the interview. Lainy had already written a great review of Lost Solace.







Welcome to So Many Books, So Little Time Karl. Thanks for taking time out for a bit of a grilling with me. FYI readers, there are some swear words ahead!






So "Lost Solace", for anyone who hasn’t read it or heard of it, tell us what is it about?

If I was being flippant, I’d say it is the first of a trilogy about a kick-arse pair of women taking on every-fucking-threat in the universe, including the military-industrial complex, and still finding time for noodles and sisterhood. I don’t want to list their main goal, because it’s one of the revelations at the end of Lost Solace. If I was being serious, I’d say it’s a sci-fi book with a heart that gives me the chance to ask questions. What is strength and humanity? Can a machine feel things like a human? How does a woman make her way in a man’s world? And how far will someone go to keep a promise?


You normally write horror, what made you change over to sci fi genre?

To be honest, horror is what I’m best known for, but it’s only one of the genres I write in. For example, my Manchester 2000 books are purely about finding love and happiness, and how our pasts and our obsessions sometimes get in the way of that; one of my current works-in-progress is a literary and contemporary short-story collection with a big focus on love and ethics. My primary interest is telling a story; the genre and style evolve out of that. My books contain different combinations of elements that fingerprint me, but not all are present in every book: examples include family, horror, suspense, love, strength, humanity, action, and reality breaking down.


Opal is a long overdue kickass strong female character, tell me about her?

She’s flawed. She’s not all-powerful. She has a depth of emotion that she dare not reveal easily. She’s righteously angry. She’s quick-thinking. She hurts. All of that means she’s human. There’s no guarantee that she’ll survive what she faces, but we want her to, because she’s noble when she can be. We root for her. She’s a Greek warrior hero, a female mix of Achilles and Odysseus. A mortal Athena (Athene). She can do what we only wish we could do. But with a hero’s achievements there can be a hero’s suffering.


Is she based on anyone you know?

Strangely, no. Many of my female characters are based on women I’ve known and admired. A reader wouldn’t know it, and the inspiring women wouldn’t necessarily recognise themselves in the characters, but I could easily say who they were. Opal is different. She grew as I wrote her. She redefined herself in the flow of words.


I loved the AI (artificial intelligence) and the relationship between the two, what made you go for an AI?

In my story notes the AI was sexless and emotionless. A pure representation of efficiency, directed towards the purpose of killing by the (originally-male) protagonist. In fact, the AI was in the form of a companion robot. But as I wrote dialogue, things would pop into my head. Weird things; clever things; humorous things, but possibly overlaying either innocence or malice. That was irresistible to me as a writer. So I let the dialogue flow and the AI began to define herself. In my original notes I hadn’t even decided if the AI was going to be good or bad. That revelation just happened.


When I started reading this, I kept thinking Event Horizon type movie with a cross of Alien, particularly the AI. Was that intentional?

Yes, they were definite influences. Not so much events, but ideas – creepy abandoned ships in space; people surviving on ingenuity when technology fails; malevolent dangers that are difficult to comprehend because they are so alien to us. Works that I respect leave me with a feeling; it’s a feeling I then try to recreate in my own worlds, so other readers can experience it. I think at one point I made a list of works that had in some way influenced me, and maybe an element of which had crept into Lost Solace. I probably had about a hundred things on the list. It’s similar to what I once did with Turner.


Lost Solace left a lot of unanswered questions, for me anyway, was that intentional and will fans get closure?

Yes to closure. A book that opens a series can be difficult. You don’t want to bind it in the darkness of exposition. Discovering Opal’s motivation is a reward. The other questions are left unanswered because, at this point, Opal doesn’t have the answers, and we generally see through her eyes. But by the end of book three – if she survives – she’ll have more answers than she ever wanted, and knowledge does not always make you happy. The reader will find out the full deal on the Lost Ships and all the other elements of the story, and the outcome may not be what you expect.


What are you working on just now?

A lot of my time is spent on writing-related activity at the moment: finding the perfect narrator for the Lost Solace audiobook, running a big promo (that got Lost Solace to #3 in Amazon’s UK sci-fi top 100!), submissions for a writing residency and prestigious prizes, and some editorial work for other authors. I’m also revamping one of my early books, 2000 Tunes, and hoping to get draft two of a new short-story collection finished. I’m also drafting out my storyboard for the sequels to Lost Solace so that when I come to write them (hopefully in the nearish future!) the first drafts will be clean and well-structured.


What kind of research do you do for this kind of book? Keeping in mind Sci Fi fans are hardcore and can be uber critical, does that make it easier or harder for you?

It didn’t feel much different from any other work I’ve written. I always do preliminary research while storyboarding, but then write the first draft and just fill in the gaps with my imagination, so as not to break the flow. Then there is a lot more research and fact-checking during the numerous rewrites. With Turner I stayed on a remote island for a week; with 2000 Tunes I researched the history of Manchester music, and the city centre layout in the year 2000; whereas with Lost Solace I was researching repair gels, ship layouts, and biological sensing systems. Luckily my degrees mean I have some background in astronomy, geology, natural science, information science and computing, so that helped shape my story. I think there was only one correction that needed making to the real science aspect.





Where can fans connect with you?

My website and blog can be found at http://karldrinkwater.uk and it links to everything else. I am active on my Facebook page https://www.facebook.com/karlzdrinkwater/ and Twitter http://twitter.com/karldrinkwater and regularly interact with everyone there. Superfans also sign up to my quirky newsletter at http://bit.ly/newsletterkd


Anything else you would like to add I may have forgotten?

I love hearing from people. Only today I had a long email from someone who had just read Lost Solace, and it was fascinating because it was their first book set in space. It gave me a good glimpse into how that alters the reader’s expectations. Luckily they loved the book. I’m surprised you didn’t bring cats and dogs into the conversation. Thanks for having me!



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Friday, 5 January 2018

Alien Invasion Stories - Recommendations


Today I was asked about good alien invasion stories. It's a huge genre. But since I made some recommendations for horror, I'll do the same here.

I'm a fan of The Tripods trilogy by John Christopher. I re-read them all recently - they're just as good today as they were in the late 1960s. Their setting is post-invasion, but the focus on a boy is great for drip-feeding discoveries that create a surprising amount of horror for a children's book.

While talking of oldies, we mustn't forget Day of the Triffids by John Wyndham (1951). It has all the elements of a good invasion: a believable delivery mechanism, original ways of weakening our defences, and truly alien invaders.

Jumping back even further to 1897: The War of the Worlds, by H.G. Wells. It's a classic with good reason. I was always a fan of the Ooo-lahs of Jeff Wayne's 1978 musical version, which first introduced me to the song Forever Autumn (Youtube).

Less traditional invasion stories include one of my favourite novellas, Who Goes There? by John W. Campbell (1938). :-) It's a damn good horror story too, and was filmed as The Thing (1982).

A fun horror with an alien invader is Stinger by Robert McCammon (1987). A fantastic book that really gets under your skin. I'm sure it was a partial inspiration for my own alien invasion book, set in Wales, Harvest Festival - which is one of my most-reviewed books. Stinger was also the first book I read with a single page prologue that was a rewriting of a scene later in the novel.

You could also possibly include The Tommyknockers by Stephen King (1987, just like Stinger - must have been a good year for aliens).

What have I missed? Feel free to tell me in the comments.

If this post is popular I could see myself looking at other sci-fi genres that cross over with horror in the future e.g. mad science, environmental, haunted house in space etc (the latter would include Lost Solace).

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Wednesday, 3 January 2018

My Horror Collection - One Of Altered Instinct's Top Five Books Of 2017


"Picking a top five from that lot is no easy task, but here, as I sip a glass of New Year rum, are my best reads of the year."

Altered Instinct has included my horror collection in their top five books of 2017!

I loved this quote about my horror collection: "Heck, if anyone can make you think of Gallagher, Herbert and Quatermass in one fell swoop, that's practically a guided tour of the classics of British horror."

Read the full article here. I'm really honoured to appear there! I always love it when my books turn up in "Best Of" lists (Jera's Jamboree, Life of a Nerdish Mum, Banshee Irish Horror Blog etc).

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Monday, 1 January 2018

My Publishing Goals For 2018


Here are my publishing goals for 2018* - the bare minimum I'd like to achieve, but hopefully I'll do much more.
So there's probably something in there for everyone. If I remember, I'll return to this post and put a line through things as I complete them.

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* Subject to change at a moment's notice.

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