I love the great reviews Lost Solace is getting. The other day I came across this one, on Jera's Jamboree. Have a read of that first. It got me thinking.

I’m really glad that the reviewer loved the book, and that they commented on some of the things I tried to do. In particular, one of the rules of fiction (or a blurb) is that you have to show the character, what they want, and what’s stopping them – as soon as possible. So I turned that on its head and asked: what if I break that rule and don’t even reveal what the protagonist wants until the final chapter? That led me to think of ways of working with that, hence the focus on immediacy and dragging the reader into a compelling high-risk scenario, and trying to make the characters immediately identifiable. When I work with writers I often instil various rules in them, but always emphasise one that is above everything else: you are allowed to break any rule of fiction at all, as long as the end result works.

I have the story arc plotted out for all three books of the Lost Solace trilogy. I am so excited about writing them and continuing Opal’s quest, since the first book only hints at some of the stuff going on.