Saturday, 21 January 2017

2016 Bram Stoker Awards Preliminary Ballot Announced

The Horror Writers Association (HWA) is the main organisation for authors writing in the horror and dark fiction genres. The HWA have run the hugely prestigious Bram Stoker Awards in various categories since 1987.

Yesterday the HWA announced the Preliminary Ballots for the 2016 Bram Stoker Awards. It's an exciting list. And ... one of my works, Harvest Festival, is included in the category of "Superior Achievement in Long Fiction"! THE Bram Stoker Awards! THE BRAM STOKER AWARDS!!!

(Long Fiction is works such as novellas - shorter than a novel, longer than a short story).

Past winners of Bram Stoker Awards have included Stephen King, Clive Barker, Ray Bradbury, Thomas Harris, Richard Laymon, George A. Romero, and J. K. Rowling. Have a look and add items to your TBR lists!

Some past winners and nominees from my category specifically (Long Fiction): Neil Gaiman, George R. R. Martin, Peter Straub, Stephen King, Ramsey Campbell, Robert Bloch ...

It's the biggest thing to happen to me in my writing career.

I'll share the full 2016 Bram Stoker Awards Preliminary Ballot list below because I'm sure every entry on it will be a great read, and I intend to buy and read many of the books from it. It's a ready-made reading list from 2016 for fans of dark fiction. Please support the writing of all the authors who have been included in the preliminary ballot.

If you want to know what happens next: lots of voting in the HWA. Then on February 23rd they will announce the nominees. Please keep your fingers crossed for me, this would be huge! 

Superior Achievement in Long Fiction

  • Anderson, Paul Michael – Bones Are Made to be Broken (Bones Are Made to be Broken) (Written Backwards)
  • Boden, John – Jedi Summer with the Magnetic Kid (Post Mortem Press)
  • Cushing, Aric – Vampire Boy (Grand & Archer)
  • Cushing, Nicole – The Sadist’s Bible (01Publishing)
  • Drinkwater, Karl – Harvest Festival (Organic Apocalypse)
  • Edelman, Scott – That Perilous Stuff (Chiral Mad 3) (Written Backwards)
  • LaValle, Victor – The Ballad of Black Tom (
  • Malerman, Josh – The Jupiter Drop (You, Human) (Written Backwards)
  • Matthews, Mark – All Smoke Rises: Milk-Blood Redux (Wicked Run Press)
  • Shane, Simmons – Raw (Silent Screams: An Anthology of Socially Conscious Dark Fiction) (Serpent & Dove Speculative Fiction)
  • Waggoner, Tim – The Winter Box (Darkfuse)

Superior Achievement in a Novel

  • Fenn, J. Lincoln – Dead Souls (Gallery Books)
  • Hand, Elizabeth – Hard Light: A Cass Neary Crime Novel (Minotaur Books)
  • Heuvelt, Thomas Olde – Hex (Tor Books)
  • Jones, Stephen Graham – Mongrels (William Morrow)
  • Langan, John – The Fisherman (Word Horde)
  • Lombardi, Nicola – The Tank (Dunwich Edizioni)
  • MacLeod, Bracken – Stranded: A Novel (Tor Books)
  • Murray, Lee – Into the Mist (Cohesion Press)
  • Prentiss, Norman– Odd Adventures with your Other Father (Kindle Press)
  • Snyman, Monique – Muti Nation (Omnium Gatherum Media)
  • Tremblay, Paul – Disappearance at Devil’s Rock (William Morrow)

Superior Achievement in a First Novel

  • Barnett, Barbara – The Apothecary’s Curse (Pyr Books)
  • Chapman, Greg – Hollow House (Omnium Gatherum Media)
  • Deady, Tom – Haven (Cemetery Dance Publications)
  • Franks, Matthew – The Monster Underneath (Samhain Publishing, Ltd.)
  • Garza, Michelle and Lason, Melissa – Mayan Blue (Sinister Grin Press)
  • Gorman, William – Blackwater Val (Crystal Lake Publishing)
  • Kilgore, Kari – Until Death (Spiral Publishing)
  • Labat, L.M. – The Sanguinarian ID (Night to Dawn Magazine & Books LLC)
  • Lewis, Beth – The Wolf Road (Crown Publishing)
  • Murphy, Jason – The Black Goat Motorcycle Club (Sinister Grin Press)
  • Woodrow, Jonathan – Wasteland Gods (Horrific Tales Publishing)
  • Wytovich, Stephanie – The Eighth (Dark Regions Press)

Superior Achievement in a Young Adult Novel

  • Alexander, Maria – Snowed (Raw Dog Screaming Press)
  • Brozek, Jennifer – Last Days of Salton Academy (Ragnarok Publishing)
  • Cosimano, Elle – Holding Smoke (Hyperion-Disney)
  • Ford, Michael Thomas – Lily (Lethe Press)
  • Kelley, Michael Brent – Keep Away From Psycho Joe (Omnium Gatherum Media)
  • Roberts, Jeyn – When They Fade (Knopf Books for Young Readers)
  • Sirowy, Alexandra – The Telling (Simon & Schuster Books for Young Readers)
  • Varley, Dax – Sinful: A Bleed Novel (Garden Gate Press)

Superior Achievement in a Graphic Novel

  • Bunn, Cullen – Blood Feud (Oni Press)
  • Chambers, James – Kolchak the Night Stalker: The Forgotten Lore of Edgar Allan Poe (Moonstone)
  • de Campi, Alex – No Mercy, Vol. 2 (Image Comics)
  • Miller, Mark Alan and Lansdale, Joe R. – The Steam Man (Dark Horse Books)
  • Moore, Alan – Providence, Act 1 (Avatar Press)
  • Quach, Ashley P – Weirdy (Sassquach Comics)
  • Kirkman, Robert – Outcast, Vol 3 This Little Light (Image Comics)

Superior Achievement in Short Fiction

  • Bailey, Michael – Time is a Face on the Water (Borderlands 6) (Borderlands Press)
  • Bodner, Hal – A Rift in Reflection (Chiral Mad 3) (Written Backwards)
  • Golden, Christopher – The Bad Hour (What the #@&% is That?) (Saga Press)
  • Hanson, Michael H. – Conqueror Worms (Dark Corners) (Iron Clad Press)
  • Hucklebridge, Dane – Ortolan (F(r)iction #5) (Tethered by Letters)
  • Kiste, Gwendolyn – Reasons I Hate My Big Sister (Nightscript Volume 2) (Chthonic Matter)
  • Mannetti, Lisa – Arbeit Macht Frei (Gutted: Beautiful Horror Stories) (Crystal Lake Publishing)
  • Manzetti, Alessandro – Long Hair’s Inferno (The Monster, the Bad, and the Ugly) (Kipple Officina Libraria)
  • Oates, Joyce Carol – The Crawl Space (Ellery Queen Mystery Magazine Volume #2016/Issue#8) (Dell Magazines)
  • Smith, John Claude – The Wounded Table (The Wrath of Concrete and Steel) (Dunhams Manor Press)
  • Yap, Isabel – Only Unclench Your Hand (What the #@&% is That?) (Saga Press)

Superior Achievement in a Fiction Collection

  • Barron, Laird – Swift to Chase (JournalStone)
  • Braum, Daniel – The Night Marchers and Other Strange Tales (Grey Matter Press)
  • Chizmar, Richard – A Long December (Subterranean Press)
  • Gavin, Richard – Sylvan Dread: Tales of Pastoral Darkness (Three Hands Press)
  • Oates, Joyce Carol – The Doll-Master and Other Tales of Terror (Mysterious Press)
  • O’Neill, Gene – Lethal Birds (Omnium Gatherum Media)
  • Schaller, Eric – Meet Me in the Middle of the Air (Undertow Publications)
  • Schwaeble, Hank – American Nocturne (Cohesion Press)
  • Sutton, Pete – A Tiding of Magpies (Kensington Gore Publishing)
  • Wehunt, Michael – Greener Pastures (Shock Totem Publications)

Superior Achievement in a Screenplay

  • Alvarez, Fede and Sayagues, Rodo – DON’T BREATHE (Ghost House Pictures, Good Universe)
  • Campbell, Josh, Chazelle, Damien, and Stuecken, Matthew – 10 CLOVERFIELD LANE (Paramount Pictures)
  • Catlin, Sam, Rogen, Seth, and Goldberg, Evan – PREACHER: PILOT (Episode1:0) (AMC)
  • Duffer, Matt and Duffer, Ross – STRANGER THINGS: THE VANISHING OF WILL BYERS (Episode 01: Chapter One) (21 Laps Entertainment, Monkey Massacre)
  • Duffer, Matt and Duffer, Ross – STRANGER THINGS: THE UPSIDE DOWN (Episode 01: Chapter Eight) (21 Laps Entertainment, Monkey Massacre)
  • Eggers, Robert – THE VVITCH (Parts and Labor, RT Features, Rooks Nest Entertainment, Code Red Productions, Scythia Films, Maiden Voyage Pictures, Mott Street Pictures, Pulse Films, and Very Special Projects)
  • Gimple, Scott M. – THE WALKING DEAD: THE DAY WILL COME WHEN YOU WON’T BE (Episode 07:01) (AMC)
  • Hayes, Carey, Hayes, Chad, Wan, James and Johnson, David – THE CONJURING 2 (New Line Cinema)
  • Logan, John – PENNY DREADFUL: A BLADE OF GRASS (Episode 03:04) Showtime Presents in association with SKY, Desert Wolf Productions, Neal Street Productions)
  • Nichols, Jeff – MIDNIGHT SPECIAL (Warner Bros.)

Superior Achievement in an Anthology

  • Bailey, Michael – Chiral Mad 3 (Written Backwards)
  • Bennett, T.C. and Carbone, Tracy L. – Cemetery Riots (Awol From Elysium Press)
  • Dabrowski, Lisa – Horror from the Inside Out (Whorror House)
  • Johnson, Eugene and Day, Charles – Drive-In Creature Feature (Evil Jester Press)
  • Kahle, Pete – Not Your Average Monster, Vol. 2: A Menagerie of Vile Beasts (Bloodshot Books)
  • Manzetti, Alessandro – The Beauty of Death (Independent Legions Publishing)
  • Manzetti, Alessandro and di Orazio, Paolo – The Monster, the Bad and the Ugly (Kipple Officina Libraria)
  • Monteleone, Thomas F. and Monteleone, Oliva F. – Borderlands 6 (Samhain Publishing, Ltd.)
  • Mosiman, Billie Sue – Fright Mare-Women Write Horror (DM Publishing)
  • Murano, Doug and Ward, D. Alexander – Gutted: Beautiful Horror Stories (Crystal Lake Publishing)
  • Rivera, Anthony and Lawson, Sharon – Peel Back the Skin (Grey Matter Press)

Superior Achievement in Non-Fiction

  • Braudy, Leo. Haunted: On Ghosts, Witches, Vampires, Zombies and Other Monsters of the Natural and Supernatural (Yale University Press)
  • Franklin, Ruth – Shirley Jackson: A Rather Haunted Life (Liveright Publishing Corporation)
  • Ocker, J.W. A Season with the Witch (Countryman Press)
  • Olson, Danel P. – Guillermo del Toro’s “The Devil’s Backbone” and “Pan’s Labyrinth”: Studies in the Horror Film (Centipede Press)
  • Poole, W. Scott. In the Mountains of Madness: The Life, Death and Extraordinary Afterlife of H. P. Lovecraft (Soft Skull Press)
  • Skal, David J. – Something in the Blood: The Untold Story of Bram Stoker, the Man Who Wrote
  • Dracula (Liveright Publishing Corporation)
  • Tibbetts, John. The Gothic Worlds of Peter Straub (McFarland)
  • Towlson, Jon. The Turn to Gruesomeness in American Horror Films, 1931-1936 (McFarland)

Superior Achievement in a Poetry Collection

  • Betts, Matt – Underwater Fistfight (Raw Dog Screaming Press)
  • Boston, Bruce and Manzetti, Alessandro – Sacrificial Nights (Kipple Officina Libraria)
  • Collings, Michael R. – Corona Obscura: Poems Dark and Elemental (self-published)
  • Cowen, David E. – The Seven Yards of Sorrow (Weasel Press)
  • DiLouie, Craig and Moon, Jonathan – Children of God: Poems, Dreams, and Nightmares from the Family of God Cult (ZING Communications, Inc., Jonathan Moon.)
  • Gailey, Jeannine Hall – Field Guide to the End of the World: Poems (Moon City Press)
  • Lepovetsky, Lisa – Voices from Empty Rooms (Alban Lake)
  • Lopez III, Aurelio Rico – Two Drinks Away from Chaos (Azoth Khem Publishing)
  • Simon, Marge. – Small Spirits (Midnight Town Media)
  • Wytovich, Stephanie M. – Brothel (Raw Dog Screaming Press)

Some great stuff there!


Thursday, 19 January 2017

Who Determines What A Word Means?

The image is my response to reading about another politician who wants to use the law to change how people use words. Their underlying reasons are to benefit one industry over another, usually the industry that they feel will provide the most votes or donations.

Poor old soya milk (as the world refers to it, regardless of what politicians dictate).

For anyone using text reader software, here's the text from the image:


Words, eh? Politicians with vested interests say the word "milk" should only apply to dairy milk.

The OED's definition 2 of milk as plant-based is over 600 years old. That's authority.

Dairy milk is one type of milk; plant milk another. Simple. Let's just always add a prefix to "milk" to clarify it.
Dairy milk. Oat milk. Coconut milk. Soya milk. Almond milk.
All clear then. Everyone is happy.

Unfortunately we already had a similar persecution in Europe, where they banned calling it soya milk (Council Regulation 1234/2007), which is why it is now labelled "soya drink" on the carton, even though everyone calls it soya milk.


Tuesday, 17 January 2017

Research Places At A Distance

I was asked, "Is it possible to research location details accurately and convincingly without having been there?"

To a degree, yes. It's obviously best if you can go (Manchester! Manchester!), but if that isn't possible then you use all the resources available: maps, books, blogs, first-hand accounts, Google street view. Go to a place like it (a similar town, a similar terrain). Finally, add your imagination. Then you realise there is another step that is the proper final one: get someone who's been there (or lives there) to check what you've written.

When I wrote a story set in Myanmar, I sought feedback from residents as to the language, places etc. I did the same with Scotland (for a story written in Scots), and for a story set in the US. This kind of feedback from natives is the safety net that gives us licence to run wild in the draft.

Remember that setting can be character, and places can drive plot, but don't fill a story with everything you've learned just for the sake of it. You are aiming at a delicate flavour, so don't tip the contents of all your spice and herb jars into a single pot.


Tuesday, 10 January 2017

13 Tips For Writers

I often do editing work. These thoughts evolved out of some recent commissions. Note that with anything artistic, there are going to be cases where the rule should be broken, but it should always be intentional and for a reason, not just because of bad habits.
  • Openings checklist. Does it establish the scene and the characters? Does it set up some mystery and potential for the future?
  • Don't use unnecessary words. Writers don't need to cover every transition, to telegraph every action. Let the reader do some work. Remember this if you have a habit of describing every time a character walks across the room, or that they "went down the stairs and left the building": that's often unnecessary stage direction. The change of scene to an outside one often makes it inherently clear that the character went outside.
  • Never miss chances to show rather than tell. "She walked quite fast." Avoid "quite" and weak adjectives in general. They add nothing. Even better, tell us how someone walks by showing us, rather than telling us. Did her arms swing like she was marching? Did she look down as she barged past people? Did the other pedestrians blur by because of the pace she set? Another example: "A pretty woman walked in." Bear in mind that "pretty" can be a weak word. In what way is she pretty? What was so attractive about her in the character's eyes? Show us, don't tell us; then we'll feel it ourselves.
  • Don't use unnecessary words. Again. Don't say something then have another sentence where you rephrase it. Nine out of ten times it isn't something worth that level of repetition. Every unnecessary word added just waters a story down.
  • Avoid infodumps. Especially near the start. There's always a better way.
  • Make settings live. Give readers non-cliched details of the places where scenes are set, so that they stand out from each other and come alive. If the story is set in Paris then make us feel like we are in Paris.
  • Unintentional comedy. "The dark chocolates were so rich they made my spine quiver." Did they really? I like chocolate, but haven't experienced that. Beware of unintentional hyperbole that might lead to bathos. No problem if it is a comedy piece, but not if it is meant to be serious. Remember the tone.
  • Real voices. When you're creating a character's voice, or viewing from their perspective, give it some life! Combine action and sentiment with punchy, living rhythm. It's okay for a character to talk and think as people actually speak. Too many stories are written as if Dickens was checking over the author's shoulder.
  • Don't miss an opportunity to surprise the reader with a twist or a question or a hint of mystery. I don't mean you should add them for no reason, but sometimes a beginning writer includes an element that makes the reader prick up their ears - then does nothing with it.
  • Make words work. Short fiction makes every word and image important, so if either of them can do double duty, and work harder, it helps make the whole stronger and more unified. Think about your imagery and the relationships between words.
  • Don't use unnecessary words. Yet again. "He laughed out loud." You don't need "out loud": unless otherwise stated, the reader will assume it was out loud. Only add stage direction when it goes against expectation. Likewise "She tilted her head a bit" - do we need "a bit"? I wouldn't assume it was a 90 degree snapping action without that. Both are examples of cutting unnecessary words. 
  • Capitalising roles. "Howdy, I'm a Bank Manager." No need to capitalise general jobs. Someone is a teacher, a chef, an accountant.
  • Endings are often the hardest parts to write, but also the best chance to one-two the reader and leave them dazed but somehow loving it.
Just in case you wonder: any quoted sentences above were just ones I made up for illustrative purposes.


Thursday, 5 January 2017

My 30 Best Blog Posts Of 2016

You can be a pirate too

Retrospective time! I've browsed last year's posts and picked out my favourites to create a list of my 30 Best Blog Posts Of 2016. How many of them did you read?

PS At the end I'll list some posts that are specifically for writers.

PPS You can find last year's summary - Best Posts Of 2015 - here.

  • Words For Cats - my cat wrote a book
  • Green - I complain a lot because nature should be protected

My Best Posts Of 2016 For Writers

I put these in a separate section so they don't scare normal people:


Monday, 2 January 2017

Watch The Dawn Yonder, Grow Fonder, And Ponder

7.22am. Not drunk my tea yet.

I am not a morning person. It is a shock to the system if I have to crack my eyes apart at some ungodly hour to do something as frivolous as watching the dawn. I first did it two years ago. Oops, I did it again. (I know, I know, but I've always wanted to say that in a blog post).

21st December 2016, I made my flask of tea and tucked a hot water bottle into my coat and sat in a cemetery on top of a hill, watching the ghoulies go back to bed in readiness for a new day, new thoughts, and new yawns. Here, you can join me on this journey in a truncated form.

7.21am. I have no idea what the lights behind me are. I suspect supernatural occurrences, but I'd shut my eyes for a minute and missed them. Hey, this is just like Paranormal Activity or something, only more boring and mostly consisting of me waffling on. Cool.



7.42am. It begins.




8.15am. About the same.

8.28am. That's as sunny as it gets where I live.

Liminal times are times for thought and consideration, times where the potential for change presents itself, times for growth and renewal. May all your dreams come true in 2017. (Unless your dreams involve nasty stuff, in which case I take it back).


Saturday, 31 December 2016

Capitalizing Hyphenated Compounds

I write and I edit and I regularly discuss matters of grammar and style. One of my clients recently asked:
"Quick question about which parts to capitalize. The all-seeing Governor, or The All-Seeing Governor ??? Or should I use italics?"
My first thought: is there such a thing as a quick grammar question? :-)

There's some flexibility here, and an author could get away with any of these options: the main thing is to be consistent and make a note of which you go with, in your own style guide document.

1. For one-offs where it is just a description, you could just capitalise Governor (since that's his title/replacement name). "The all-seeing Governor." That's the simplest option.

2. However, if you want it to represent your protagonist's official secret name for him at that point, you would capitalise the prefix, and that's also acceptable. This raises a question. Would you just capitalise the all-, or the second part of the hyphenated word too? All-seeing Governor, or All-Seeing Governor? Well, that's up to you, again as long as you are consistent. Although style guides differ, I'll just go by what my main one, New Hart's Rules, says about how to treat hyphenated compounds:
The traditional rule is to capitalize only the first element unless the second element is a proper noun or other word that would normally be capitalized:

First-class and Club Passengers
Anti-aircraft Artillery

In many modern styles, however, both elements are capitalized:

First-Class and Club Passengers
Anti-Aircraft Artillery
So as you can see, both All-seeing Governor, and All-Seeing Governor would be okay, depending on whether you opted for the traditional or modern style. Pick one, stick to it!

As to italics - used here it would imply a sneer. So you could have a scene where the Governor was talking about omniscient God whilst fumbling for his glasses, and you could ironically italicise all-seeing - it would be a sneer of derision and would have a definite effect. But it isn't an effect you'd want to over-use. In most cases I wouldn't use italics for the words describing the Governor. Like capitals for shouting, it draws attention to itself, and therefore works best and has more effect if used sparingly.

I'll try and cover questions such as this (and some to do with substantive editing and plotting) more often on my blog if they are useful to readers.


Thursday, 22 December 2016

Twelve Books Of Christmas - They Move Below

Today I was honoured by the Nerdish Mum book blogger. They Move Below was included in her excellent 12 Books Of Christmas list. I am so chuffed I can't tell you! I don't celebrate Christmas (because I am a weirdo) but this is like all the ones I skipped rolled into one ball of something with icing on.

You can read her Day 10 article about They Move Below here.

(And you can buy my book if it tickles your fancy like a dainty cake.)